Nelson’s installations take the viewer on enthralling journeys into fictive worlds that eerily echo our own.
Constructed with materials scavenged from salvage yards, junk shops, auctions and flea markets, the immersive installations have a startling life-like quality.
Weaving references to science fiction, failed political movements, dark histories and countercultures, they touch on alternative ways of living and thinking: lost belief systems, interrupted histories and cultures that resist inclusion in an increasingly homogenised and globalised world.
Utterly transforming the spaces of the Hayward Gallery, the exhibition features sculptural works and new versions of key large-scale installations, many of which are shown here for the first time since their original presentations.