Hans-Peter Feldmann's solo exhibition for Art Kabinett employs everyday objects in a search for the sublime. Bottle openers, lighters, pushpins, pencils, scissors and other varied pieces of abject mass production are sardonically arranged on museum-style plinths made of industrial cardboard boxes. Repurposing the mundane into a poetic scene charged with the sacredness of fine art, Hans-Peter Feldmann finds a platform for his curious process of collection and arrangement.
