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May 11, 2019
The worker as critic: Protocinema presents PROJEKTÖR, Matt Hanson, Daily Sabah
April 3, 2019
Mike Nelson fashions a sculptural collage of Britain’s industrial age, Tom Seymour, Wallpaper*
March 24, 2019
Mike Nelson: The Asset Strippers review - his all-time masterpiece, Laura Cumming, The Guardian
March 22, 2019
As Britain Suffers an Identity Crisis, Artist Mike Nelson Laments an Industrial Past, Jane Ure-Smith, Frieze
March 21, 2019
Mike Nelson - The Asset Strippers review: Exhilarating encounter with ruins of past glory, Ben Luke, London Evening Standard
March 21, 2019
Mike Nelson: The Asset Strippers review, Eddy Frankel, TimeOut London
March 20, 2019
Powerful, political and pungent: Mike Nelson's Tate Britain commission, Louisa Buck, The Art Newspaper
March 18, 2019
A bitter-sweet tribute to our industrial age, Mark Hudson, The Telegraph
March 18, 2019
Fire sale Britain: Mike Nelson on why he turned the Tate into a big salvage yard, Hettie Judah, The Guardian
March 18, 2019
'State decline, spawning vanity and inequality': Mike Nelson's Tate Britain show offers bleak portrait of UK, Gareth Harris, The Art Newspaper
December 12, 2018
Tate Britain commissions Mike Nelson to transform its central galleries, Mark Brown, The Guardian
Winter 2019
The Phantom of Gwangju: Historical and Political Specters at the 2018 Biennale, Ming Lin, ArtNews
October 2018
Mike Nelson at OGR On Transformation and Displacement, Bruna Roccasalva, L'Officiel Art
September 17, 2018
Remember The Time, Daphne Chu, Artforum
March 22, 2018
Mike Nelson sets up camp in Walsall, Will Martin, Apollo Magazine
September 7, 2016
Mike Nelson’s Mesmerizing ‘Cloak’ at the UBS Building, Monaco, Nicholas Forrest, Blouin Artinfo
July 28, 2016
A walking tour of New York’s High Line with Cecilia Alemani, Dan Duray, The Art Newspaper
July 14, 2016
Mike Nelson Turns Monaco Bank Into An Ultramarine blue underworld, Ermanno Rivetti, The Art Newspaper