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March 1, 2018
ADAA: A Fair to Remember Starts a Month of Art Show Madness, Roberta Smith, The New York Times
February 28, 2018
A Tour of the 2018 ADAA Art Show, Maximilíano Durón , ArtNews
February 27, 2018
At 30, ADAA Is the Country’s Longest-Running Fair—and Hasn’t Lost a Step, Nate Freeman, Artsy
July 8, 2017
12 Must-See Art Shows Happening in the Hamptons This Summer, Caroline Goldstein, Artnet News
June 30th, 2017
Mary Heilmann’s New Dia Show Places Her among the (Male) Icons of Minimalism, Hilarie Sheets, Artsy
June 30, 2017
Mary Heilmann Exhibit at Dan Flavin Art Institute in Bridgehampton, Julia Tazartes, Women's Wear Daily
February 6, 2017
The Joy of Eighties Art, Peter Schjeldahl, The New Yorker
December 2016
Best Of 2016, Matthew Higgs, Artforum
September - October 2016
Review : Mary Heilmann at Whitechapel Gallery, London, William J. Simmons, Flash Art
August 16, 2016
The Sculptural, Musical Paintings of Mary Heilmann, Maria Howard, Hyperallergic
July 19, 2016
See Mary Heilmann’s Upbeat Geometric Paintings at London’s Whitechapel Gallery, Vicky Lowry, Architechtural Digest
June 17, 2016
Mary Heilmann: in the studio, Rupert Hawksley, The Telegraph
June 10, 2016
Mary Heilmann on 1970s New York and Her New Whitechapel Show, Samuel Spencer, Blouin Artinfo
June 10, 2016
Mary Heilmann: Looking at Pictures review – art that plays fast and loose, Adrian Searle, The Guardian
June 9, 2016
Mary Heilmann: Looking at Pictures exhibition review- Be captivated by colour, Ben Luke, London Evening Standard
June 8, 2016
California Counter-Culture Through the Eyes of Mary Heilmann, Philomena Epps, Another
June 8, 2016
Surfing on Acid, Amy Sherlock, Frieze
June 6, 2016
Artist Mary Heilmann: the Californian surfer still making waves in her 70s, Jason Farago, The Guardian
May 31, 2016
Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann, Alexandra Peers, Artspace
April 2016
Mary Heilmann: Every Picture Tells A Story, Terry R. Myers, The Seen
Spring 2016
The Composer, Linda Yablonsky, ArtNews
December 8, 2015
At 303, Mary Heilmann Condenses Power by Blake Gopnik, artnet news